GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,


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GRECO, El Lady with a Fur sfhg oil


Lady with a Fur sfhg
Painting ID::  7065
Lady with a Fur sfhg
1577-80 Oil on canvas, 62 x 51 cm Private collection, Glasgow
   
   
     

GRECO, El The Knight with His Hand on His Breast sdg oil


The Knight with His Hand on His Breast sdg
Painting ID::  7067
The Knight with His Hand on His Breast sdg
1577-84 Oil on canvas, 81 x 66 cm Museo del Prado, Madrid
1577-84 Oil_on_canvas,_81_x_66_cm Museo_del_Prado,_Madrid
   
   
     

GRECO, El Portrait of a Doctor dfh oil


Portrait of a Doctor dfh
Painting ID::  7068
Portrait of a Doctor dfh
1577-84 Oil on canvas, 93 x 82 cm Museo del Prado, Madrid
1577-84 Oil_on_canvas,_93_x_82_cm Museo_del_Prado,_Madrid
   
   
     

GRECO, El St Sebastian ghj oil


St Sebastian ghj
Painting ID::  7069
St Sebastian ghj
c. 1580 Oil on canvas, 192 x 148 cm Sacristy of the Cathedral, Palencia
   
   
     

GRECO, El Christ in Agony on the Cross oil


Christ in Agony on the Cross
Painting ID::  43706
Christ in Agony on the Cross
1600s Oil on canvas, 104 x 62 cm
1600s_ Oil_on_canvas,_ 104_x_62_cm
   
   
     

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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